By Jonathan D. Green
This leading edge survey of huge choral-orchestral works is a continuation of the author's prior examine of 20th century works with English texts. eco-friendly examines approximately 100 works, from Rachmaninov's Vesna to Penderecki's tune of Songs. for every paintings, he presents a biography of the composer, entire instrumentation, textual content resources, variations, availability of acting fabrics, functionality concerns, discography, and bibliography of the composer and the paintings. dependent upon direct ranking learn, every one paintings has been evaluated when it comes to capability functionality difficulties, practice session matters, and point of hassle for either the choir and orchestra. whilst current, solo roles are defined. The composers represented during this paintings contain Bela Bartok, Leonard Bernstein, Ernest Bloch, Maurice Duruf?, Hans Werner Henze, Paul Hindemith, Arthur Honegger, Leos Janacek, Gy?rgy Ligeti, Gustav Mahler, Carl Orff, Krzysztof Penderecki, Francis Poulenc, Igor Stravinsky, Anton Webern, and Kurt Weill. Written as a box advisor for conductors and others excited about programming live shows for choir and orchestra, this article is going to end up an invaluable resource of recent repertoire rules and a useful reduction to practice session training.
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Additional info for A conductor's guide to choral-orchestral works, twentieth century, part II: the music of Rachmaninov through Penderecki
New York: St. Martin's Press, 1971. The Hungarian edition was first published in 1948. Antokoletz, Elliott: The Music of Bela Bartok. Berkeley, California: University of California Press, 1984. Page 11 : Bela Bartok: A Guide to Research. New York: Greenwood Press, 1988. Cantata Profana, op. 94 A Kilenc csordaszarvas [The nine enchanted stags] (1930) Duration: ca. 18 minutes Text: The text taken from a Rumanian colinda, a Christmas folksong, was arranged and translated into Hungarian by Bartok. The study score from Universal Edition contains singing translations in English and German, but not the original Hungarian.
In Orff's music there are numerous attempts toward primitivism using prolonged pedal figures, pure diatonicism, and modally guided parallel fourths and fifths. These medieval procedures are often used to be evocative of the era whence the text comes. Likewise in his works with texts from antiquity, he often explores uses of classical modes in his music. There are a number of serial compositions of varied orthodoxy among these works. The later compositions of Schoenberg include serial procedures, but with clear points of departure from the technique, when it no longer serves the composer's needs.
The piano-vocal and full scores are available for purchase; orchestral materials are available through rental. The first movement is also available separately for performance with piano. Notes: Chichester Psalms was commissioned for the Three Choirs Festival at Chichester Cathedral in England where it was performed 31 July 1965. It is dedicated to Cyril Solomon. The composer states in the score that he conceived the work to be for a male choir, and that although a mixed choir was acceptable, the extended solo in the second movement must be sung by a male treble or a countertenor.