By K. Winchester
;Art of Woodworking - Woodworking Machines КНИГИ ; ХОББИ и РЕМЕСЛА Автор: ok. Winchester Название: artwork of Woodworking - Woodworking Machines Издательство: Time-Life Books Год: 2005 Формат: djvu Размер: 5,4 Мб Для сайта: www.mirknig.comКнига на английском языке.Книги из серии The artwork Of Woodworking являются энциклопедией столярного дела.В них можно найти все, что связано со столярными работами.Разобраться можно и без знания английского языка, книги богато иллюстрированы.В этой книге рассказывается о работе на деревообрабатывающих станках. .com uploading.com eighty five 1 2 three four five
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D. (Author—[A]: after Goodman 1964, 26; [B], [C]: after Manning 1985, pl. 9, B16, B17) who has published the most comprehensive study of all Roman iron tools in recent years, suggests that the forms of such tools were fully developed in Roman times and did not change until the machine age (1980, 256). One only has to look at the form of a nineteenth-century wooden frame saw and its Roman counterpart depicted on a grave relief, or at an iron claw hammer found at Pompeii, to appreciate the remarkable continuity of form.
8-9), now in the Naples Museum, inv. 8991. H: 66 cm; W: 75 cm. First century. (Reproduced by permission, Soprintendenza per i Beni Archeologici delle province di Napoli e Caserta, Naples Museum neg. 1480) ceased’s profession. Important examples include a pediment-shaped relief from a tomb of a Roman carpenter now in the Museo Nazionale of L’Aquila, showing a jack plane and a libella; the rendition clearly shows both front and back grips and the projecting iron (Goodman 1964, ﬁg. 42) (ﬁg. 34). A virtually identical rendition is depicted on the funerary altar of Eutyches from Priolo (see ﬁg.
Roman period. (Petrie 1917, pl. 51) The Egyptian (Petrie) collection of University College, London, holds a perfectly preserved Roman-period drill bit and wooden stock excavated at Hawara, Egypt (Petrie 1917, 39) (ﬁg. 19). The wooden stock was turned on a lathe, its worn surface scored with parallel grooves to increase friction with the thong. The cylindrical nave was carved from two pieces of wood and then pegged along the seams. This allowed it to rotate around, yet be permanently aﬃxed to, the wooden ball that was turned into the top of the stock.