Download Commento agli ’Epigrammata Bobiensia’ by Francesca Romana Nocchi PDF

By Francesca Romana Nocchi

The Epigrammata Bobiensia are a set of seventy one poems, written among the fourth and 5th century d.C. in a cultural milieu of trained pagans linked to Symmachus, yet gravitating towards Ausonius. The absence of polemical accents and the alternative for balanced expressions healthy good with this pagan elite, for whom the literary revival of vintage types is a rhetorical workout and an device of a cultural confirmation.

Dieses um four hundred n. Chr. entstandene Gedichtbuch enthält über 70 Gedichte verschiedener Länge und verschiedenen Versmaßes. Der hier vorgelegte ausführliche philologische Kommentar wird ergänzt durch eine neue italienische Übersetzung der einzelnen Epigramme sowie durch eine umfassende Einleitung, die u.a. die Überlieferungsgeschichte der Sammlung, die Struktur der Texte und den geschichtlich-kulturellen Kontext behandelt.

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Extra info for Commento agli ’Epigrammata Bobiensia’

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Bob. 2, 1; delle due versioni del praenomen, Iunius (epigr. 5, 3) e Iulius (epigr. 7, 1), la seconda è molto probabilmente corrotta. Sul cambiamento intervenuto nella considerazione dei tria nomina nel Basso Impero si pronuncia in modo esaustivo Veyne 1964. 150 La data di nascita e di morte è ricavata dal confronto fra epigr. Bob. 9, 5–6 e Symm. epist. 3, 16. 151 In queste lettere i due amici si scambiano pareri relativi a questioni letterarie: per lo più Simmaco rimprovera al poeta di essere un fervente sostenitore dell’arcaismo, da lui considerato démodé, ma si tratta sempre di una critica bonaria.

La componente retorica ebbe, dunque, un forte influsso non solo sulla composizione degli Epigrammata, ma anche sulla selezione dei carmina. Sorge il dubbio che questa matrice non sia solo un riflesso della formazione scolastica, ma che la raccolta possa essere essa stessa un esempio vivo di questa pratica, anche solo come libro di testo; ma forse questa audace ipotesi si spinge troppo al di là delle concrete possibilità di riscontro. 147 Theon RhG II, pp. 118–120 Spengel (66–69 Patillon); Nicol.

51); sull’argomento vd. Fernández Delgado & Ureña Bracero 1991, p. 24. Stramaglia 2010, pp. 130–135, ricorda anche che pochi anni dopo Quinto Sulpicio Massimo, un giovane tredicenne, risultò addirittura vincitore nello stesso agone; tali performances pubbliche erano, in effetti, una sorta di ʽproiezione all’esternoʼ di una prassi scolastica ben consolidata, che prevedeva continue esibizioni di fronte al maestro. Cf. anche, a questo proposito, Marrou 1963, pp. 205–207; Nocita 2000, pp. 81–100; Cribiore 2001, pp.

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